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THE WORLD OF CONSTANT CONNECTION // 2(90)2021
ڑڊڕڊ ڍڗڋڎ ڨ ڎڎڢڛڗښڎڞڛڊ ڔڎڏڡڒ ڋڎڏڔڊ ڥښ ړڊ discredited through mockery hurled against their
ڊڏڨ ڛڊ ڍڊڏڨڛڛڒ ڏڑڊ ڛڒڕڊڤڊ ڛڊ ڋڗ ښڏڜڊڨڕڛڒ ښڗڢ works. And exhibiting was not even on the table.
ڊڑ૿ڛڋڎڗڍږڊ ڛڊ ښڊଁڦڎږڎ ږ ڍڋڎ ږڎڡڒڛڍڗڑڎڕ For 10 years after graduating from the Academy
ڛ ڒڒڤڊ ڜڒ ڍڎښړڛڒڍږڊږڎ ږ ڍ ڏڊڍڝڠڐڝڛڊڋڎڔڞڝ ڛڒڏ of Fine Arts, Levan Choghoshvili was forced to
ڗ ڕڊڌڛڊ ڋڎڍڎ ڕڟڗ ڕڎڢڑڊڕږڎ ږڍڗ ږڒڤ ڛڊڍڑڒږڐڒڕ keep his paintings to himself — he got used to
ڏڜڊڨ ڕڊڛڗڡڒڒڜڎ ڕڍڎڐڤڒ ړڊ ښڊژڊڔڕڗڨڎڐڊ ږڎڞ the fact that, save a few close friends, there was
ږڊڌڛڒڔڦڒڑڊږڊ ڍڒ ڋڎ ښ ڏڊڑ ڕڊڍڛڒڒ ڕڎ ڍڊړڊڗښ no one to appreciate them. Fortunately, with
ڝڕڛڒ ڏڑ ڛڒ ڏڊڑڒ ڔڒ ڏڢڗڠڗڧږڊ ڏڎڔڒ ڢڊڋڗ ڔڏڊڕ Perestroika declared, he was able to showcase
his works at the Artist’s House in 1985.
ڗڡڒڒڔڝ ڋڎڝ ڌڎڢڊ ڍڋ ڗڊڢ
ڛڒ ڋڎ ښڋڗڌڎڕڗڔڨڊڕڗښ
ڊ ښڎڏڛڋڎڜڊ ڨڊږڊ ڍ ښڊڌ
ڒ ږ ڍڎ ڋڊڛڊ ڍڋڎ ږڎڏڣڊڛڒڏ
૿ڊ ړڒڗښڜ ڛڎ ښڎژଁڍڗ ښڎ
ڛڔڎڦ1985ڊڍڗ ڡ ڦ ڒڊڍ
ڊڌ૿ڒڢڔ ڨڊڛڛڒ ښڏڜڊڨڕଁ
ڊ ڛڎڢڤڊ ڋڗ ڡڦڗڕڛڒ ږڎڞڗڕ
ڊڍ ڨڊڌڒ ڔڎڋڎڔڥ
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ږڊ ڍڒڍږ ڝڊ ښ ڌ ښڎڍ ږڊ From the “Annihilated Aristocracy” Series – Istanbul.
ڛږڊڏڗڔڎڨڔڝڛڗ ڕڊڌ 2014. Tempera on paper. 88x62
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ڛڒڕڊ ڍ ڋڎڋڗ ښڒژڊ ږڊڌ
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ڍ ڋڎڍڎ ڕڟڗڕڎڐڍڊښڝڊږڤڝ
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ڝڔڊ ڥښړڊږڊ ڌ ڍڊښږڎږ
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